期刊文献+

申克理论在英美的传播与最新发展 被引量:3

下载PDF
导出
摘要 申克音乐分析法是20世纪最富代表性的音乐分析方法。文章考察了申克理论在英美的传播路径与最新发展状况,对两国申克理论代表文献进行归类,概括两国申克理论的发展特征并比较二者的异同。文章第一部分介绍申克理论在美国的发展状况,第二部分介绍申克理论在英国的发展状况,结尾部分对其在英美的发展状况进行扼要比较。
作者 王中余
出处 《星海音乐学院学报》 CSSCI 2013年第3期67-83,共17页 Journal of Xinghai Conservatory of Music
基金 2010年上海音乐学院音乐研究所课题"申克理论在英美的传播与最新发展"
  • 相关文献

参考文献119

  • 1Stanley Sadie (ed.). Analysis [ G] //The New Grove Dictionary of Music and Musician. London: Macmillan Publishers Limited, 2001.
  • 2Felix Salzer, Structural Hearing. Tonal Coherence in Music [ M ]. New York: Dover Publications, Inc. , 1962.
  • 3Adele T. Katz. Challenge to Musical Tradition: a New Concept of Tonality [ M ]. New York and London : Da Capo Press, 1945.
  • 4David Epstein. Beyond Orpheus [ M ]. New York: Oxford University Press, 1987.
  • 5Maxtha Hyde. Twentieth - Century Analysis during the Past Decade: Achievements and New Directions [ J ]. Music Theory Spectrum, 1989 (11) : 35 -39.
  • 6[奥]海因里希·申克.自由作曲[M].陈世宾,译.北京:人民音乐出版社.1997.
  • 7杨燕迪.二十世纪西方音乐分析理论述评(一)[J].音乐艺术(上海音乐学院学报),1995(1):46-51. 被引量:16
  • 8David Beach. The Current State of Schenkerian Research [J]. Acta Musicologica, 1985 (57) : 276.
  • 9Allen Forte. Schenker' s Conception of Musical Structure [J]. Journal of Music Theory, 1959 (3): 1 -30.
  • 10Adele Katz. Heinrich Schenker' s Method of Analysis [J]. The Musical Quarterly, 1935 (21) : 311 -329.

共引文献15

同被引文献17

  • 1周勤如.音乐深层结构的简化还原分析——申克分析法评介[J].音乐研究,1987(2):27-38. 被引量:25
  • 2Allen Cadwallader, David Gagne. Analysis of Tonal Music: A Schenkerian Approach. Third Edition. New York: Oxford University Press, 2011.
  • 3Schenker, Heinrich. Free Composition (Der freieSatz). Translated and edited by Ernst Oster. New York: Longman, c1979.
  • 4Allen Forte, and Steven E. Gilbert. Introduction to Schenkerian Analysis. New York : Norton, c1982.
  • 5Schenker, Heinrich. The Masterwork in Music:A Yearbook. edited by William Drabkin ; translated by Ian Bent. Cambridge [England] ; New York : Cambridge University Press, 1994-1997.
  • 6Caplin, William E. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. New York : Oxford University Press, 1998.
  • 7Darcy, Warren, and Hepokoski, James. Elements of Sonata Theory: Norms, Types, and Deformations in the Late Eighteenth-Century Sonata. New York : Oxford University Press, 2006.
  • 8Cook, Nicholas. The Schenker Project: Culture, Race, and Music Theory in Fin-de-si 8 cle Vienna.New York: Oxford University Press, 2007.
  • 9Beach, David. Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm. Motive, and Form.New York;London : Routledge, 2012.
  • 10Caplin, William E. Analyzing Classical Form: An Approach for the Classroom. New York : Oxford Univer- sity Press, 2013.

二级引证文献1

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部