摘要
在明清之际逐渐成熟独立起来的笔墨是历经了漫长的一千余年的理论探索和艺术实践的结果,从顾恺之的线描到吴道子的融书法于画法,加之张彦远的"书画同体"的提倡,使笔墨的表现在明清之际达到了与气韵同等重要的高度,笔墨在明清得到了发扬光大,并形成了一股强大的艺术思潮。
Pen and ink which gradually mature and independent in the Ming and Qing Dynasties is the result of theoretical exploration and art practice through more than one thousand years. From Gu Kaizhi＇s line drawing to Wu Daozi＇s financial calligraphy in painting, coupled with Zhang Yanyuan＇s ＂consubstantiality＂ advocate, pen and ink performance achieved are equally important and tone height in the Ming and Qing Dynasties. Ink has been carried forward in this dynasties, and formed a powerful trend of art.
出处
《科教文汇》
2013年第16期149-150,共2页
Journal of Science and Education
关键词
笔墨
文人画
独立性
表现
pen and ink
literati painting
independent character
expression
