摘要
罗伯特·官的《奥丁的马》通过表现护林人与伐木公司的剧烈冲突,对人类中心主义及其破坏自然的行径进行批判,揭示现代人从都市文明回归自然和自我的心路历程。剧作对奥丁神话的引入和化用使其超越一般意义上的生态问题剧而走向深层生态。
Through the description of conflict between forest guards and logging company, Koon's Odin's Horse attacked the humanism's anti-nature and the barbarians that conquest and plunder the nature fiercely, it analysed modem's mental process from urban civilization to nature, Koon took the Icelandic mythology into his play making it toward the deep ecological theology.
出处
《吉林师范大学学报(人文社会科学版)》
2013年第4期53-56,共4页
Journal Of Jilin Normal University:Humanities & Social Science Edition