试论贝多芬对钢琴艺术史发展的影响——以c小调奏鸣曲(Op.10.No.1)第二乐章为例

Beethoven's Influence on the Development of Piano Art History——Taking c Minor Sonata for Example

路德维希·范·贝多芬,德国最伟大的音乐家,集作曲家、钢琴演奏家、指挥家于一身,是集古典音乐之大成并开浪漫时期音乐先河的维也纳古典乐派代表人物之一。在他带有一定自传性质并被称为西方音乐"圣经新约"的32首钢琴奏鸣曲中,奏鸣曲式得以发展且到顶峰,这些奏鸣曲的价值及贡献体现在不仅将钢琴的表现力发挥得淋漓尽致,同时对钢琴艺术史的发展也产生了巨大影响。奏鸣曲(Op.10.No.1)结构严谨,内容丰富且具戏剧性,通过学习,不仅可了解、学习维也纳古典音乐的结构特征和风格特点,同时也为弹奏这一时期的音乐作品打下基础。

Ludwig van Beethoven is a greatest German musician, who could work as a composer, a pianist or a conduc- tor. He is one of representative figures of the Vienna classicala music which is a collection of the classical and romantic music. In his 32 piano sonatas which have some characters of autobiography and are known as the ＂holy bible new testament＂ of the western music, the forms of sonata develop to the peak. The value and contribution of these sonatas are em- bodied not only in the vivid performance of the piano playing, but also in its great influence on the development of piano art history. The structure of Sonata （Op. 10. No. 1 ） is rigorous and the content is rich, dramatic. Through the study, we can not only understand and learn the structure and style characters of the Vienna classical music, but also lay the foundation for playing the music works of this period.