“新红颜写作”与当代女性诗歌的经典化

On the Writing of Xin Hong Yan and the Canonizing of Women's Poem

从"新红颜"的命名到《新红颜写作诗歌档案》、《新红颜集》的出版,关于"新红颜写作"的讨论一时成为了诗坛上的热门话题。可以说,"新红颜写作"的命名与推广在某种意义上为探究当代特别是新世纪以来女性诗歌创作的演变与发展提供了一种新的视角。"新红颜写作"这一诗学概念的提出与传播在某种程度上体现出当下新诗诗学命名的多样性与复杂化。不管这一诗学命名是否得当,是否具有相应的合理性与诗学价值,其对于当代女性诗歌作品的经典化以及女性诗歌在当下多元文化主导下的文学语境中的传播与传承都具有相当重要的文学史意义。

From being named to publishing the Poetry Archive of XinHongYan and the Anthology of XinHongyan, the writing of XinHongYan becomes the hot topic of poetic circle. It can be thought that the naming and spreading of writing of XinHongYan offers a new view for the researches of the contemporary, especially the new century female poems. In the proposing and transmission of the poetics, writing of XinHongYan shows the diversity and complexity of the naming of contemporary new poetry to some extent. However, the poetics naming is proper or not, possesses the rationality and poetics value or not, it has a rather important literature meaning for the canonizing of contemporary female poems and the transmission and inheritance of female poems in the cultural diversity of literary context.