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斯蒂芬·桑坦概念音乐剧的戏剧特征 被引量:3

Dramatic Features of Stephen Sondheim’s Concept Musicals
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摘要 概念音乐剧(Concept Musical),又称"反音乐剧",它打破了叙事音乐剧(BookMusical)以故事为核心的"线性叙事"(linear narration)结构,摒弃了摇滚音乐剧①彻底反叙事(non-narrative)的戏剧理念,以某个或多个"概念"(conceptual theme)为核心,采用一种"非线性"(non-linear)、片段化的叙事方式展开戏剧创作。本文将以概念音乐剧大师斯蒂芬.桑坦(Stephen Joshua Sondheim,1930-)的作品为例,阐释其概念音乐剧所呈现出来的具体戏剧特征。 Concept musicals are also known as "anti-musicals". The concept musical deconstructs the linear narration of book musicals, discards the totally non-narrative ideas of rock & role musicals, and introduces a non-linear, segmental narrative with one or more conceptual themes as the core to develop a dramatic production. The article analyzes works by Stephen Joshua Sondheim and explains the dramatic features displayed in concept musicals.
作者 罗薇
出处 《戏剧(中央戏剧学院学报)》 CSSCI 北大核心 2013年第3期36-53,共18页 Drama:The Journal of the Central Academy of Drama
关键词 概念音乐剧 戏剧主题 叙事结构 人物设置 音乐语言 concept musical, dramatic theme, structure of narration, character arrangement, musical language
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参考文献3

  • 1BANFIELD, STEPHEN. Sondheim' s Broadway Musicals [ M ]. University of Michigan Press, 1995.
  • 2GORDON, JOANNE. Art Isn't Easy:The Theater of Stephen Sondheim [ M]. Revised Edition. Da Capo Press, 1992.
  • 3HOROWITZ, MARK EDEN. Sondheim on Music, Minor Details and Major Decisions [ M ]. The Scarecrow Press, Inc. , 2003.

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