田仲一成中国戏曲史研究的成就与局限

The Achievements and Limitations of Tanaka Chicheng’s Research on the History of Chinese Traditional Opera

日本的中国戏曲史研究是在王国维的影响下发展起来的,尤以青木正儿和田仲一成的研究最为突出。田仲一成以国际化的视野和本土化的创新,既填补了王国维中国戏曲史研究的一个空白,又拓宽了中国戏曲史研究的方法。但是田仲一成用祭祀剧的发生发展代替中国戏曲复杂性存在的研究未免偏狭,难以说明从农村祭祀戏剧到戏曲的艺术形态之演变路径。

The research in Japan on the history of Chinese traditional opera is developed under the influence of Wang Guowei, with the studies of Aoki Masaru and Tanaka Chicheng as the most prominent. Tanaka Chicheng adopted an international perspective, and his indigenous innovation not only fills a gap in Wang Guowei＇ s studies of Chinese traditional opera history, but bas broadened the research approaches as well. However, his research on the development of rituals instead of the complexity of the history of Chinese traditional opera exposes a biased viewpoint, and the research itself is insufficient to account for the evolution of the cultural expression from rural sacrificial rites to the art form of traditional opera.