论《桥》的幻想叙事方式

On the BridgeFantasy Narrative Mode

《桥》是一曲悠扬的田园牧歌,是一幅静谧的山水画,是对应然的理想世界的憧憬,这里远离战乱纷扰、景色优美宜人、人性淳朴善良。《桥》之美在于其虚幻性,它留给我们的不是对现实的思考,而是精神的寄托。废名通过三重梦境的建构完成了其幻想叙事,由身处现实、渴望桃源,到走进桃源、抗拒现实,再到融入桃源、超越现实,逐步摆脱了现实的束缚,完成桃源仙境的重建。

Bridge is a pastoral eclogue melodious, a quiet landscape painting and an ideal world vision which is away from war turmoil with beautiful, pleasant, human kind and simplicity here. The beauty in Bridge lies in its illusory, for it is not thinking of reality, but a spiritual sustenance. Fei Ming completed his fantasy nan＇ative through constructing three dreams： in reality, by the desire to walk into Taoyuan to escape from the reality; to integrate into Taoyuan and improve upon the reality and gradually get rid of the realistic constraints, completing the reconstruction of Taoyuan wonderland.