性别文化与女性创作中的“梧桐”意象

The Image of Chinese Parasol in Women's Writing from Gender and Culture

梧桐是文学中一个常用的、意蕴丰富的意象,然而在古代女性的创作中其意蕴十分狭窄,主要用来抒发闺怨之情,这主要是由于不平等的性别文化拘限了女性生活的范围、内容和目标,从而限制了女性创作的情思与意境、深度和广度。在性别文化政治改变以前,女性创作的内容与风格难以获得改变与突破。如果时代的文化环境和性别秩序有所变动,那么女性创作也就有所变化,她们眼中的梧桐就不再是抒发闺怨之情的物象了,从梧桐她们领悟到了深刻而丰富的意蕴。

Chinese parasol is an image of rich implication and commonly used in literature, but its implication is very narrow in ancient women ＇ s writing , it is mainly used to express their boudoir sentiment. The main reason was that the unequal gender culture lim- ited ancient women ＇ s scope, content and target of life, thus limited the emotion and mood, the depth and breadth of ancient women ＇ s writing. Before the change of gender culture and political, the content and style of women＇ s writing is difficult to change and break through. If the culture environment and gender order change, women＇ s writing will change accordingly, Chinese parasol will no longer be the object to express their boudoir sentiment, they realized the profound and rich implication of it.