摘要
《诗经》为后世"接受"除形成"诗经学"外,在文学文本中亦随处可见。本文以清代诗歌中的"诗三百"为论域,从袭神、抒情方式、意象三视角略论清代文学对"诗三百"的文学接受。
The acceptance of The Book of Songs shows not only in a branch of study in itself but also in almost all the genres of literary texts. This paper surveys how The Book of Songs was accepted in the poetry from Qing Dynasty and examines the accept- ance into the Qing Dynasty literature from the perspectives of preserving the original spirit, the lyric way of expressing emotions and the imagery.
出处
《文艺理论研究》
CSSCI
北大核心
2013年第3期149-154,共6页
Theoretical Studies in Literature and Art
基金
江苏省博士生创新计划项目"清代诗经学研究"[项目批准号:ZY320605]部分成果
苏州大学青年教师后期资助项目"清代诗经学研究"[项目批准号:BV101811]部分成果
江苏省教育厅高校哲学社会科学研究基金资助项目"清代诗经学与清代文学"[项目批准号:2011SJB750023]部分成果
关键词
诗经
清代诗歌
清代诗经学
清代诗学
The Book of Songs the Qing - Dynasty poetry the Qing - Dynasty classical study the Qing - Dynasty poetics
