觉醒与挣脱:鲁迅小说女性形象的心理内涵

Awakening and Escape: Imagery Psychology of Characters in Lu Xun's Novels

通过对鲁迅小说女性形象的觉醒与挣脱的心理内涵研究,能让我们更深刻地理解妇女解放与社会发展的密切关系,以及女性意识发展道路的艰难。《伤逝》中的子君在新文化的熏陶下女性的主体意识觉醒,进而挣脱家庭的压迫和世俗文化的偏见,大胆地追求婚姻自主与人格独立。《离婚》中的爱姑由于女性惶惑意识的觉醒,产生了对漠视女性的封建婚姻制度的不满,企图通过与婆家大闹离婚来挣脱将被抛弃的尴尬境地,捍卫自我的人格尊严。《奔月》中的嫦娥的女性平等意识觉醒后,对美好的性爱生活有了追求与向往,所以不愿忍受苦闷的婚姻生活,最终选择离开丈夫以求挣脱性爱受到极大压抑的婚姻生活。

Lu Xun, The research from the awakening and escaping psychological connotations of the characters of Lu Xun novel allow us to gain a deeper understanding of the difficult road of women＇ s liberation. In the novel Shangshi, the heroine Zijun under the influence of feminist consciousness awakening breaks away from the family with the autocratic and feudal customs, boldly to pur sue her marriage freedom and independent personality. Dissatisfaction with the feudal institution of marriage, regardless of the awakening of love in the novel Divorce, Aigu makes an attempt to get out of the shackles of feudal ethics filed for divorce with the husband＇ s family to defend the human dignity of self. As for female consciousness in the novel Flight to the Moon, Chang＇ e does not want to endure the anguish of marriage, and eventually chooses to leave her husband in order to get rid of repressed marriage.