“赋比兴”的现代诗学含义及其现代有效性

The Meaning and Validity of Modern Poetics from the Perspective of "Fu,Bi and Xing"

"赋比兴"自提出后就始终缠夹不清,一直未能成为纯正的诗学概念。缠夹的原因有二:一是论诗者以诗义阐释诗法,二是缺乏"赋比兴"作为表现方法的具体含义。过往的诗论都未能贴近诗歌本体来理解"赋比兴"。意象是诗的本体,是诗歌得以形构的基本单位。在现代诗学的视野中,"赋比兴"就是诗歌整体意象构造的方式。阐述了"赋"、"比"、"兴"三种意象表现方法,认为"赋比兴"不仅仅是《诗经》和古代诗歌的法则,对现代诗歌而言,也是有效的。

Since its first appearance,＂Fu,Bi and Xing＂has not been a pure poetic concept for the two reasons：the interpretation of the meaning of the poetry and the deficiency of the specific representation.Old theories fail to represent＂Fu,Bi and Xing＂of the poetry.The image is the ontology of poetry and the basic unit.In modern poetics,＂Fu,Bi and Xing＂helps to create poetic images.The paper elaborates the expressions of＂Fu,Bi and Xing＂and points out that ＂Fu,Bi and Xing＂is the principle of The Book of Songs and the ancient poetry and it still plays a role in modern poetics.