摘要
从中国美学意象的角度对后印象派大师凡高的绘画艺术进行解析,寻找意象和印象的契合点,可以为西方印象派艺术的研究提供一种新的思考理论方法。以凡高的艺术作品为研究基础,对凡高印象派艺术中的审美意象进行研究和剖析,可以看出凡高不仅仅注重描摹物象的真实,而是用他的生命去追求再造形象的独特审美情趣以及自由的艺术意象。
This paper aims at searching for the combination of image and impression to provide a new research method of west- em Impressionist art with the analysis of the post - Impressionist master Vincent Van Goghg painting art from the perspective of Chi- nese aesthetic image. With the study and exploration of the aesthetic images in Van Goghg impressionist art, it is suggested that Van Gogh is not only portraying the real images but also pursuing in his life the unique interest in aesthetics and the freedom of images of the reconstruction image.
出处
《阜阳师范学院学报(社会科学版)》
2013年第4期147-150,共4页
Journal of Fuyang Normal University:Social Science Edition
关键词
意象
印象
自然
生命
image
impression
nature
life