摘要
氆氇是藏族特有的纺织物,具有一定的民族象征意义。以现代设计观念从氆氇的素材原生性、色彩多元性、元素同一性三方面对其装饰语义进行解读,归纳其特有的高原地域性文化特征,挖掘民族文化内涵,论述其在满足现代织物设计生产的市场化、设计审美的多向性、功能与装饰的双重性之下的存在意义及推广可能性,并从肌理综合性、色彩冲突性及图文多样性等方面对其风格发展演化的形式途径进行了探索,建议以更广阔的设计视野和现代化的设计方法、技术加以发展应用,实现其在现代织物设计研究中的时代意义和价值。
Pulu, a kind of Tibetan special fabric, is of certain national symbolism. This paper analyzes decorative features in three aspects: original nature of Pulu material, color diversity and element homoousia from the perspective of modern design idea, summarizes peculiar cultural characteristics of plateau region and excavates national culture connotation. Besides, this paper also discusses the existence significance and possibility of popularization under the conditions of meeting marketization of modern fabric design and production, multi-direction of design aesthetics and dual nature of function and decoration. This paper explores the forms and approaches of style development and evolution in the aspects of texture comprehensiveness, color conflict and image-text diversity and advises to develop and apply Pulu with wider design view and modern design methods and technologies so as to achieve the era significance and value in design and study of modern fabrics.
出处
《丝绸》
CAS
北大核心
2013年第7期53-58,共6页
Journal of Silk
基金
教育部人文社会科学研究项目(10YJC760082)
北京市属高等学校人才强教计划资助项目(PHR201008105)
关键词
纺织品开发
织物设计
氆氇
藏族装饰风格
textile development
modern fabric design
Pulu
Tibetan decorative style