中国书法美学现代转型的筚路蓝缕——王国维与林语堂书法美学的价值重估

On the Pioneering Work of the Modern Transformation of Chinese Calligraphy Aesthetics——Revaluation of the aesthetics of Wang Guo-wei and Lin Yu-tang’s calligraphy

近代以来,由于西方美学东渐的影响,古典美学向现代美学转折的潮流不可避免地影响到书法,这使书法美学现代化转型出现契机。许多现代美学的奠基者对于书法理论的眷顾成为书法美学现代转型的开端,王国维、梁启超、宗白华、邓以蛰、林语堂等先贤对书法美学作了巨大贡献。目前学界对于王国维和林语堂二人书法美学观点的研究尚不完整或出现偏差,这影响到这一阶段书法美学研究的价值评判,本文对其中问题重新展开讨论。

In modem times, due to the gradual impact of Western Aesthetics on the Orient, the tide of the transition of the classical aesthetics to the modern aesthetics inevitably influences the calligraphy, which provides an opportunity for the modem transformation of the calligraphy aesthetics. The favor of the theory of calligraphy by the many founders of the modem aesthetics marks the beginning of the modern transformation of the calligraphy aesthetics to which the sages of Wang Guo-wei, Liang Qi-chao, Zong Bai-hua, Deng Yi-zhe and Lin Yu-tang made huge contributions. At present, the study of Wang Guo-wei and Lin Yu-tang＇s points of views on the calligraphy aesthetics by scholars are not yet complete or even show some deviation which affects the value judgment of the aesthetic study of calligraphy at that stage. This paper discusses some of the issues once again.