《陆犯焉识》的电影化书写探究被引量：2

The Film Narrative Inquiry of Lu Fan Yan Shi

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摘要严歌苓是华人文学的一抹亮色,长篇小说《陆犯焉识》是她为我们带来的又一力作。在这部作品中,小说借鉴了电影的艺术表现手法——于两条平行线索间颠倒布局,在时间的流动中利用视角的切换打造空间域场,在电影化的镜头中细化情节和人物——完成了对传奇人物"陆焉识"一生的演绎和对主题的深刻诠释,传达了深沉的人道主义关怀。 Yan Ge-ling is a bright color in Chinese literature, her novel Lu Fan Yan Shi is undoubtedly another masterpiece she brings to us. In the production, the novel learns the artistic expression from film, reversing the distribution within two parallel clues, using the switching angle to create the space field in the flow of time and refining the polt and character by camera lens to complete the life deduction of the legend figure LU Yan-shi and the deep interpretation of the theme, which shows deep humanitarian concern.

作者李丹

机构地区安徽大学文学院

出处《长春大学学报》 2013年第7期871-874,共4页 Journal of Changchun University

关键词《陆犯焉识》蒙太奇时间空间化镜头影视化 Lu Fan Yah Shi montage space of time camera lens practice of film

分类号 I207.425 [文学—中国文学]

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参考文献7

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