论阿兰·巴迪欧的电影美学——以《电影的虚假运动》为中心

On Alain Badiou's Aesthetics of Cinemategraphy——Taking Les Faux movements du cina'ma as an Example

艺术与哲学的关系是巴迪欧电影美学的基础。在此基础上,巴迪欧从柏拉图出发,认为电影的本质是理念(主题)对形式的一种拜访,而电影的运动(分为整体运动、局部运动和艺术语言之间的运动)是虚假的,并非真正的运动;对电影运动的不同理解产生了三种评判电影的方式:无差别判断、差异性判断和公理性判断。

The relationship between art and philosophy is the basis of Badiou＇s film aesthetics. Based on this, from Plato, Badiou believes that the essence of a film is a visit from idea（theme） to form, and the film movement （including the overall movement, local move- ment and art language movement）is false,not true motion. So there are three modes to evalate a movie：indistinct judgment, diacritical judgment and axiomatic judgment.