重读“意”与“境”——再看苏州园林

New Interpretation of "Yi" and "Jing"——Rereading the Suzhou Gardens

从结构主义语言学和符号学视角思考苏州园林中的意境主题。以"意"的能指与所指为切入点,讨论苏州园林和中国山水画之间的内在审美关系,探讨山水画中"留白"和"三远"在苏州园林中的语言结构意义,并通过对苏州园林中生成"境"的造园符号之间因借关系的具体分析,指出了传统园林审美意境产生的深层结构成因。

From the perspective of structural linguistics and semiotics, this article thinks over the topic of ar- tistic conception. To the point of signifier and signified on ＂Yi＂, the article discusses the intrinsic aesthetic relationship in Chinese poetry and Chinese painting, probes into the ＂blank space＂ and ＂three perspec- tives＂ in Chinese painting. Through analyzing relationship between following and borrowing of specific language symbols to create ＂Jing＂ on Suzhou garden, the article points out the deep structure of artistic conception on the traditional Chinese garden.