温庭筠《菩萨蛮》词十四首研究述评

Literature Review on Wen Tingyun's Fourteen Poetries of Pau-shar-man

温庭筠《菩萨蛮》十四首,是最能代表其词风的作品。自晚唐以来,受到众多词家的重视,并多有论述,观点虽不尽相同,但影响至今不减。近年来,研究者关于《菩萨蛮》词十四首的研究工作大体集中在五个方面:一是从阐释学层面,论析这组词是否存在寄托;二是从审美风格方面,论述这组词的意境、意象;三是从考证学的角度,对这组词中的一些不确指物象进行分析考辨;四是从人物形象方面,考察分析这组词中的主人公身份及形象;五是对《菩萨蛮》词牌的研究。文章拟从这五个方面对学术界的研究状况作系统的梳理,以期能为以后的研究提供一些基础性的参考。

Wen Tingyun＇ s fourteen poetries of Pau -shar- man are the most representative works that characterize his style of poetry. Since the late Tang Dynasty, these poetries have drawn more and more attention from lots of poets and there are many expositions on them. Though the expositions are not identical, but the impact re- mains undiminished, In recent years, the researchers＇ study work is largely concentrated in the following five ar- eas. First, from the angle of Hermeneutics, researchers analyze whether these poetries exist the sustenance ; Sec- ond, from the angle of aesthetic style, researchers discuss their mood and imagery ; Third, from the angle of lit- erary criticism, researchers do a textual research on their unspecified images ; Fourth, from the angle of character images, researchers make a study on the identities and images of the heroes in these poetries ; Fifth, researchers do research into the Cipai （ the name of the tunes）. The article, from the five areas, makes a systematic research on the condition of academic research to fourteen poetries of Pau - shar - man in order to provide some basic ref- erence for future research.