肖邦前奏曲中一段式乐曲的和声布局研究

A Study on the Harmonic Arrangements of Music Selection from Chopin’s Prelude

肖邦使"前奏曲"这种体裁第一次摆脱了过渡性作用和附属的地位而成为独立的钢琴小品,并赋予了鲜明的艺术形象和独特的艺术个性。根据肖邦前奏曲中一段式乐曲的曲式结构、调性领域以及高潮的安排等几个方面的分析,可总结出肖邦前奏曲和声的安排和布局谋篇的一般规律。

It is Chopin who, for the first time in the development of Prelude, breaks away Prelude from its function as transition and its subsidiary status, leading to the birth of the independent small piano pieces. Besides, Chopin also has Prelude endued with the distinctive artistic images and the unique artistic personality. In this paper, the writer makes some analysis and researches over the harmonic arrangements in the one-part music by combining with the one-part form, tonality and the climax arrangement etc, in an attempt to sum up its general rules in terms of the harmonic arrangement a,o^d the overall design in structure used in Chopin＇sPrelude.