论叶向高的文学活动在晚明文坛的意义

The Significance of YE Xiang-gao’s Literary Creation in the Late Ming Dynasty

明代文学自弘治、正德以来,馆阁创作对文坛的领导地位为前后七子文学复古阵营所取代,《四库全书总目》以为"两派互相胜负",晚明馆阁文学对七子文学复古运动的胜利的时间需要加以考定。晚明福建大学士叶向高是一位著名的政治家,对于他的文学成就著论甚少,评价不甚妥当。叶向高的文学观念来自其庭训、师训和嘉靖初中叶闽中提倡唐宋散文创作的传统,与明代馆阁文学传统契合,以复振馆阁文风为己任,融通明代馆阁文学传统和前后七子文学创作的长处,最终完成馆阁文学在文坛的复归,时间上限为万历二十七至二十九年(1599-1601)。

Since the Years of Hongzhi and Zhengde in Ming Dynasty the leadership of literature of Hanlinyuan was replaced by Qianhouqizi literary retm camp and Sikuquanshuzongmu considered that the two Schools won cash oth~ alternately. The time when Hanlinyuan literature outweighed Qizi retro literary movement needs to be investigated. The late Ming Fujian scholar Ye Xi- ang_gao is a well-known politician and his literary achievements hasn＇t been quite properly evaluated. Ye＇s literary concepts were inherited f^om his father, teachers and the tradition of the Tangsong School originated in the early Years of Jiajing in Fujian, corresponded with Ming Hanlinyuan literary tradition. Ye who shouldered the mission of reviving Hanlinyuan literature combined the two Schools and ultimately completed the revival of Hanlinyuan literature during years from 1599 to 1601.