摘要
20世纪30年代中国新感觉派的小说中充满了暴力想象,表现为语言暴力、暴力本性、暴力崇拜、暴力自虐等方面,但其根源却非日本,而是传统的侠-士文化精神与都市情绪的非理性发泄,与左翼文学出于政治理性的革命想象有着根本区别。
Abstract guagc vi school scholar :Violence narration features the novels of new olence, nature of violence, worship for violence sensational school in 1930s,characlerized by lan- and violent autosadism. Chinese new sensational not stem from Japan hut rather a irrational vent of Chinese traditional knight errantry and cial culture and metropolitan sensation,which is quite different from revolutionary vision of Left wing literature as a result of political rationalization.
出处
《石河子大学学报(哲学社会科学版)》
2013年第3期88-91,共4页
Journal of Shihezi University(Philosophy and Social Sciences)
基金
第53批中国博士后科学基金面上资助一等资助项目"‘暴力启蒙’与中国现代文学的审美特征"(2013M530398)
广东省哲学社会科学"十一五"规划项目"暴力与启蒙:晚清至20世纪40年代文学‘暴力叙事’现象研究"(09GJ-08)
关键词
新感觉派
暴力
传统
非理性
New Sensational School
violence Narration
tradition
irrationalization