摘要
《猎杀本·拉登》让我们更加清晰地看到了凯瑟琳.贝格罗的女性意识,如果说之前的她并没有刻意渲染,那么这一次,在她熟悉的题材、风格之上,她旗帜鲜明地加入了性别的话题。在这个战争传奇背后,另有一个复调的故事——一个女人不懈努力证明自己、赢得尊重。女性叙事虽然不如反恐战争叙事醒目,却是影片真正的主线。
Zero Dark Thirty made people clearly aware of Kathryn Bigelow~ feminism. If she did not deliberately made it noticed before, she added gender identity to this movie markedly with her familiar subject and style. Behind the story of war legend, there was a parallel story about a woman who endeavored to assert herself and gained the esteem. Feminist narrative, though not as conspicuous as the anti - terrorism narrative, is the main clue of the movie.
出处
《贵州大学学报(艺术版)》
2013年第2期79-82,共4页
Journal of Guizhou University Art Edition
关键词
凯瑟琳·贝格罗
女性叙事
战争叙事
Kathryn Bigelow
feminist narrative
anti- terrorism narrative