李叔同《半裸女像》的重新发现与相关研究

The Re-discovery of and Related Research on Li Shutong's A Half-naked Woman

2011年底中央美术学院美术馆重新发现李叔同油画代表作《半裸女像》,并为考证此画做了深入的研究。通过对《半裸女像》流传经历和相关记载的梳理,对画作本身材质的科学检测以及对画作1920年图像与2011年图像的对比研究,全面地考证了《半裸女像》,并确认了保存于中央美术学院的《半裸女像》为李叔同所作。李叔同是中国近代文化史上一位极为重要的人物,对中国近代美术、美育、美术教育的发展作出了重要贡献,他的油画代表作《半裸女像》的确认,填补了中国近代美术史研究的一项空白,对李叔同艺术研究具有重要意义。

At the end of the year 2011, Li Shutong＇s representative oil painting A Half-naked Woman was rediscovered at the art museum of Central Academy of Fine Arts and an intensive investigation of its authorship was conducted thereupon. After a meticulous study of the history of its circulation and relevant records, a scientific examination of its texture and a compari- son of its image of 1920 with that of 2011, Li Shutong was confirmed as the true author of A Half-naked Woman. A tower- ing figure in the history of modern Chinese culture, Li Shutong made important contributions to painting, aesthetic education and the education of painting in modern China. The confirmation of his oil painting A Half-naked Woman fills a gap in the study of the history of modern Chinese painting and is therefore of great significance to the research on Li Shutong＇s art.