观与演:赖声川舞台剧的现场性诉求

Viewing and Acting: The Spot Appeal of Stan Lai's Stage Plays

赖声川的舞台剧从不拘泥于某种固定的舞台类型,其剧场形式丰富多样。表演空间摆脱传统舞台的限制,以灵活多变的方式,让剧场本身成为一个充满魅力的魔方。赖声川全面而系统的剧场探索,以及对剧场空间问题的关注,是在现代戏剧观念的影响下,对戏剧艺术发展的一种自觉回应。笔者从剧场空间的层面入手,探析赖声川如何以多维比较的视角,使原本静态的剧场空间瞬时生化出无数的可能,并进一步考察赖声川剧场空间实验的成效,及其为戏剧恢复现场性所作的努力。

With their diverse forms of stage Stan Lai＇s plays never stick to a certain type of fixed stage. The acting space breaks free of the limitations of the traditional stage, and the theater becomes a Rubik＇s cube of enormous charm. Lai＇s com- prehensive and systematic exploration of the theater and his concern with acting space is a conscious response to the develop- ment of the art of drama. Starting with theater space, the author of this paper investigates how Lai gives limitless possibili- ties to an otherwise static acting space from a multidimensional comparative perspective and evaluates the efficacy of his ex- perimentation with theater space and his efforts in restoring, the soot aooeal to the art of drama.