论芙蓉神形象的审美价值

On the God of Hibiscus

晴雯虽然是一个奴婢,一个丫鬟,但却是《红楼梦》中最光彩照人的形象之一,是作家倾注了大量的感情塑造的一个艺术形象。她在贾府的命运虽以悲剧结局,但死后成了芙蓉神。芙蓉神形象具有丰富的审美价值,具体表现在:超越困扰的生活境界;表达情与爱;向往诗意的生命,永恒的人生。作家在展示晴雯的人生遭遇和悲剧结局的过程中,再现了封建统治的残酷;在芙蓉神形象上,寄托了作家对社会历史及人生的独特思考。

Qingwen is a servant girl, but she is the most glamorous image, for whom Cao Xueqin poured much emotion. She is destined in tragedy, turning into God of hibiscus after her death. Lotus image has rich aesthetic values, specifically manifested in： beyond the realm of life： as the expression of emotion and love： longing for the poetics of life, the eternal life. Cao Xueqin shows the cruelty of the feudal rule through the description of her tragic life. In the image of God, Cao Xueqin gives his unique thinking of life.