幕后到台前的转变——译者主体性在戏剧翻译中的体现

The Transition from Backstage to Front Stage:Translator’s Subjectivity in Drama Translation

戏剧是一门综合性艺术,是人类智慧的结晶。纵观国内外历史,对戏剧翻译的研究远远少于对诗歌和小说的研究。而戏剧译者更是一直处于"幕后"。本文通过对英若诚戏剧译本的研究分析,探讨译者主体性在戏剧翻译中的体现。试分析英若诚如何从"幕后"走到"台前"。

Drama, the product of human wisdom, is a comprehensive art. The study of drama translation is far less than that of poetry and novel throughout history at home and abroad. Nevertheless, drama translators are always on the back- stage. By studying Ying Ruocheng＇s drama translation, this thesis discusses the translator＇s subjectivity in drama transla- tion and tries to study Ying Ruocheng＇s transition from ＇backstage＂ to ＂front stage＂.