游刃有余 澄怀观道——徐朝兴的青瓷艺境

Artistic Conception Of Celadon Made By Xu Chaoxing

庄子在其《养生主》有一段精彩的描写：＂庖丁为文惠君解牛,手之所触,肩之所倚,足之所履,膝之所,然响然,奏刀殸然,莫不中音。合于桑林之舞,乃中经首之会。……彼节者有间,而刀刃者无厚,以无厚入有间,恢恢乎其于游刃,必有余地矣。＂道的生命近乎于技,技的表现启示着道。这是庄子对于艺术境界最为精妙的阐发。艺术需要技艺,而工艺美术更需要技艺,这种技艺同庖丁解牛一样,是一种人工到天巧的境界,也是形而下之器与形而上之道的结合之境。徐朝兴是龙泉的青瓷艺术大师,

Xu Zhaoxing and celadon become a kind of symbol, which can not be separated.The old master＇ s mind is pure,as he is not bothered by changing society form and art form,who not only seems as clear and transparent landscape in Longquan,but also seems as Longquan Celadon like the mild jade.