摘要
金圣叹在综合前人有关"文"、"情"论述的基础上,进一步提出了"文情相生"的理论。一方面主张"文生于情",强调情既是人的心灵本体,又是文学的生命本源。另一方面主张"情生于文",强调"文"对"情"的形构功能,从而打破了有"情"便有"文"的惯用思路,确立了无"文"也无"情"的一种审美格局。
Jin Shengtan put forward further the combination view of Wen and Feelings on the basis of the previous ideas. On the one hand, Jin shengtan emphasized Feelings is both the soul ontology on the person and the life source of literature.On the other hand, he claimed the Wen played the most important role in a text and made Feelings, which broke the conventional thinking on the decisive in Feelings and confirmed the value and significance of literary form itself.
出处
《齐鲁学刊》
CSSCI
北大核心
2013年第4期133-137,共5页
Qilu Journal
基金
国家社科基金项目"金圣叹形式批评研究"(06BZW007)
关键词
金圣叹
文学评点
文情相生
Jin Shengtan
literary criticism
the combination view of wen and feelings
