摘要
袁枚中进士后馆选翰林院庶吉士,但散馆时却被外放为知县。这一打击使得他在诗学观念与诗歌创作上有心与翰苑立异,于乾隆十年针对词垣主格调论,初步提出性灵诗说,稍后为反对翰苑贬斥艳情诗的作风,大力推崇王次回等人的艳情之作。同时,袁枚对翰林院主盟诗坛者的批判亦为激烈。正因外放离开翰林院,他才以山林对抗馆阁,在此过程中其性灵诗学得以逐步形成并进一步完善。
Yuan Mei was selected as Shujishi after Jinshi in the Museum of Imperial Academy,but he was appointed to the magistrate after the scattering museum.This attack made him fight against the Hanyuan on the poetics and poetry creation.In ten years of Qianlong,he put forward a new theory,which is "poetry of disposition and inspiration",opposed to the museum's style.Then he advocated Wang Cihui's love poetry,objecting to the museum's demoting love poetry.At the same time,Yuan Mei criticized the imperial league poets drastically.Because of his exile from Hanlin Academy,he was against the government as a civilian.In this process,the "poetry of disposition and inspiration" was gradually formed and further perfected.
出处
《安徽师范大学学报(社会科学版)》
CSSCI
北大核心
2013年第2期202-208,共7页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
国家社会科学基金青年项目(07CZW016)
关键词
袁枚
庶吉士
外放
性灵诗学
Yuan Mei
Shujishi
exile
poetics of disposition and inspiration