摘要
中国当代的油画创作处在一个复杂多变的体系之中,各种技法形式互为交织,但又无明晰的风格界定,诸多画家既求同于创作观念的共识,又各以自我的个性为主导,画家群体长期以来处在一个自由宽松的状态之中。多年以来,中国油画一直在强调自我的审美本体,过于关注题材内容和画面意义的创作倾向,导致中国油画实践繁盛而理论不足。怎样建构中国油画的风格体系以及理论形态,有待深思。
Abstract: The contemporary Chinese oil - painting creation is at a complicate and diversifying system, all kinds of forms and skills intertwining without clear bounds. Many artists not only pursue the common crea- tive concept, but also consider that personality is dominant, so the artistic group has been in a free and ,coor- dinative environment for a long time. For many years, the Chinese oil -painting has emphasized the aesthet- ic noumenon, focusing more on the subject matter and meaning of the works, which caused the works out- weigh theories in the Chinese oil - painting practice. It should he deeply pondered how to construct the sys- tem of style and the forms of theory of Chinese oil - painting.
出处
《安徽师范大学学报(社会科学版)》
CSSCI
北大核心
2013年第4期509-514,共6页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
教育部人文社会科学研究青年基金项目(12YJC760056)
关键词
审美本体
价值本体
审美认知
油画风格
多元化
aesthetic noumenon
value noumenon
aesthetic cognition~ oil - painting style ~ diversification