王昌龄《诗格》中的灵感论与意境说

On the Theory of Inspiration and Artistic Conception Discussed by Wang Changling in the Book Poetry Rules

在陆机、刘勰的基础上,王昌龄于《诗格》中提出了创作灵感的产生与捕捉的具体途径,并且提出了学习古人的目的在于从前人的作品中捕捉灵感,而不是文意、文辞、字语。在《诗格》中,王昌龄提出了创作的"三境说":物镜、情境、意境,这三种境地,既是并列的,又是递进的,在近代,王国维融合了西方美学理论发展了"三境说",提出了"有我之境,无我之境"。

Based on the previous theory proposed by LuJi and LiuXie,Wang Changling put forward the problem of a way to generate an inspiration and how to capture them in his book Poetry Rules and the aim of learning the classic works is to capture the inspiration of them rather than the dicttion and the words and phrases.In the book PoetryRules,Wang Changling proposed the Theory of Three Realms,including objective lens,situational and mood.The three aspects are parallel and progressive relations.In modern times,WangGuowei integrated the Western aesthetic theory into the Chinese one and developed the Theory of Three Realms.