评点者对“后二梦”的接受

The Critic’s Acceptance for "the Last Two Dreams"

汤显祖的"后二梦"———《邯郸记》与《南柯记》问世后,不同时代的人都对之进行过诠释,发掘其中有价值的思想,这些诠释反映了人们对这两部剧作接受的程度。从传播的角度探讨评点者对其中仙、佛的理解与认识,能够对"后二梦"的思想内涵作出一些新的解读。不同评点者在评点"后二梦"时往往是见仁见智,既认同了其中的佛道思想,也发现作者的矛盾之处。评点者认识到,在"后二梦"中,既有佛道思想的宣扬,但更多的是对黑暗官场的批判和嘲讽,对丑恶人性的揭露和鞭挞,还寄寓了作者的人生际遇。

After Tang Xianzu created ＂the last two dreams＂ （Handan and Nanke Dream）, people from different eras have already studied and dug out the valuable thoughts of them. These interpretations reflected the degree of acceptance for the two plays. From the angle of communication, the critic＇s understandings of fairy and Buddha can bring some new ideas to ＂the last two dreams＂. Different critics have different views towards ＂the last two dreams＂ and all the ideas are meaningful. They not only agree with the Buddhism and Taoism in ＂the last two dreams＂, but also find out the authors＇ contradiction in the plays. The Buddhism and Taoism in ＂the last two dreams＂ are obvious; however, the plays focus more on criticizing the dark officialdom, exposing the ugly human nature and expressing the hope in Tang Xianzu＇s life experience.