摘要
近现代戏曲目录文献多将《玉马珮》视为残本,只残存上卷,藏于国家图书馆,并将作者看成是汶水人路术淳。其实南京图书馆藏有其完好的下卷。而据(康熙)《续修汶上县志》可以考知作者是汶上人路衍淳而非路术淳。下卷的情节与各目录文献所记载多有出入。除了因袭前代题材,《玉马珮》在情节上也有诸多创新之处,主要体现在关于玉马珮的来历与小说不同、次要人物的名字与身份略有差异、在爱情的处理上不同。
Mordern drama catalogue books regard Yu Ma Pei as residues which remain only volume I in the national library. And they say that the author is LU Shu - chun from Wenshui County , but in reality, there is the entire vol- ume II in Nanjing city library. According to The Continuation of Wenshang Country Annals, we can know that the author is LU Yan - chun from Wenshang County, but not LU Shu - chun. The plots of volume II is different from any other book records. The differences are the origins of the jade , minor characters , thier identifications , the plots of love stories etc.
出处
《烟台大学学报(哲学社会科学版)》
CSSCI
北大核心
2013年第3期55-61,共7页
Journal of Yantai University(Philosophy and Social Science Edition)
关键词
《玉马珮》
版本
作者
Yu Ma pei
version
author
plots