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邱含陶瓷美学

CERAMIC AESTHETICS OF QIUHAN' S WORKS
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摘要 邱含,男,1961年3月生,江西临川人。高级工艺美术师,江西省工艺美术大9币,中国工艺美术大师;享受国务院特殊津贴专家;江西省陶瓷研究所所长助理;《陶瓷研究》杂志社副社长;江西省工艺美术系列高级职称评委。1993年,青花《草居》瓷瓶作品获国际精品景德镇大赛二等奖。1994年,青花釉里红《觅》瓷瓶与《叶》瓷瓶作品分获全国陶瓷评比二、三等奖。1997年,在中国美术馆举办现代瓷艺术展览。 Qiu Han regards art as an experiment requiring long-lasting efforts. He cares for ink language, material language and formal language, and even more cares for the influence of emotion, culture, aesthetics and quality on the art style. He loves to depict the refined literati world, to transfer between a variety of themes, materials and processes, and to open and close, rise and fall among the different manners of composition and presentation. He is good at taking the situation with the brush and taking the rhyme with the glaze, and his seize of pen force and texture has become consummate. His ceramic creation is based on the natural aesthetics of “syncretism between heaven and man” and “harmony between man and nature” . Starting with a traditional manner, he harmonizes the nature and the human mind. and describes the soul of rivers and mountains.
作者 童福萍
出处 《陶瓷研究》 2013年第1期112-116,共5页 Ceramic Studies
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