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全显光工作室的素描人体教学

On the Teaching of Figure Sketching of Quan Xianguang's Workshop
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摘要 全显光工作室活跃于20世纪80年代,其基本教学理念与德国莱比锡画派有某种渊源关系。其在素描人体教学中去除长期作业,注重研究结构,强调作画速度与笔法表现力,增加动态造型与记忆表现,对画面形式也有一定要求。特立独行的艺术教育思想,系统有序的课堂教学模式,自由强悍的美学风格创造,使该工作室在中国当代美术教育中独立成篇,对发展今天的美术基础教学也有重要启示。 Quan Xianguang's workshop was active in the 1980s,its basic teaching idea has certain origin relationship with school in leipzig,Germany.With getting rid of long-term operation in figure sketch teaching,he paid attention to the study of structure,emphasized on speed and brushwork painting expression,increased the dynamic modelling and memory performance,also have certain requirements to picture pattern form.With his unique arts education ideas,system and orderly classroom teaching mode,the freedom of aesthetic style creation,he made the workshop different in China's modern fine arts education that has important implications to the development of today's art teaching.
作者 王洪义
出处 《艺术探索》 2013年第3期81-86,5,共6页 Arts Exploration
关键词 全显光 素描人体 基础教学 Quan Xianguang figure sketching basic teaching
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