摘要
书话是现代中国文学中具有庞大创作群体与丰富创作实绩的重要存在。源自传统读书杂记、藏书题跋、笔记随札的书话,大都游弋于创作与述学、文学与文化之间,葆有颇为有趣的弹性和张力。本文对既是创作又属研究,既具审美性又涵学术性的书话进行系统考察辨析,以期能够进一步推进书话研究乃至拓展中国现当代文学研究的新空间。这种游走在"文"(创作)与"学"(研究)之间的书话,在一定意义上是对传统的"文"、"学"合一著述方式的呼应,更是对"五四"之后文学观念日趋狭隘单一现象的警醒与反拨。
In modern Chinese literature, Book Chat has a large writing population and has made great contributions to Chinese literature. Deriving from the traditional essays, the postscript and notes of books, Book Chat is between literary creation and academic research, literature and culture. Thus, Book Chat has a character of both aesthetics and academics with great flexibility and fascination. This paper systematically investigates into it, hoping to push the research of Book Chat forward and enlarge the study space of mordern Chinese literature. In a certain sense, Book Chat is a response to traditional fusion of literary creation and academic research, and also an alert and correction to the concept of literature phenomenon which is increasingly becoming narrow and single.
出处
《南京社会科学》
CSSCI
北大核心
2013年第7期108-113,129,共7页
Nanjing Journal of Social Sciences
基金
国家社科基金青年项目"现代中国书话史研究"(10CZW063)
教育部人文社科基金青年项目"书话与现代中国文学"(09YJC751046)的阶段性成果
关键词
书话
文人之学
学人之文
Book Chat
Writers' Academic Research
Scholars' Literary Creation