如何叙写沉重的历史——浅谈电影《南京!南京!》的叙事维度

How to Narrate the Heavy History——On the Narrative Dimension of the Film“Nanjing!Nanjing!”

陆川导演的电影《南京!南京!》改变了拍传统历史题材电影的记录方式,用特殊的手法叙写南京大屠杀的沉重历史。文章灵活运用了什克洛夫斯基的陌生化理论视角,针对影片中采用个人视角和多人物视角相结合的特点、日本士兵角川的形象是否具有代表性、以及极致的矛盾冲突如何表现和有意味的程序设置四个方面进行分析。该影片在努力遵循历史真相的同时,将先锋的形式与沉重的历史进行调和,改变了拍历史题材电影的传统,用先锋性策略——陌生化的形式叙写历史是有价值的尝试,同时也付出了一定的代价。

As a director,Lu Chuan＇s film ＂Nanjing! Nanjing!＂ changed the recording mode on the beat of the traditional historical themes,it uses a special approach to narrate the Nanjing Massacre.Using the Shklovsky＇s defamiliarization theoretical perspective flexibility,perspective combines the features of a personal perspective and multi-character for the film,the image of the Japanese soldier Kadokawa representative,as well as the ultimate conflicts how to behave and meaningful procedures provided four aspects to carry on the analysis.The film is trying to follow the truth of history,at the same time,the pioneer of form and heavy historical harmonic,changed the tradition of historical themes movie,pioneering strategy-a strange form of Narrations history is a valuable attempt,but also pay a price.