摘要
《汉志》"小说家"及其"小说"是在战国时凭藉文体自身潜力发展起来的、在"说体"基础上形成的一种文体。虽不属规范的文学体裁范畴,但也并非仅如《汉志》"诸子略"其他九家一样的文体那样重义理,也不如史家之记实,而是一种包括叙事内容的实用文体。《汉志》对"小说""迂诞"、"依托"的定位为"小说"文体艺术虚构的发展预留了空间。《汉志》"小说"源自民间智慧,是本土小说的早期形态,具有重要的小说史价值。
The＂novelists＂and＂novels＂in Hanzhi emerged from their own stylistic potential in the period of the Warring States and formed a style based on ＂story-telling style＂and folk wisdom which was an early form of Chinese novels with much significance.Though this style was not a standard one like quite a few other styles,it was a practical one in terms of narrative.Its emergence provided some room for the further development of the literary style of Chinese＂novels＂.
出处
《云南民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2013年第4期110-114,共5页
Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)
基金
教育部人文社会科学项目"自得天机自长成--中国小说概念的生成及其文体在宋前的演进研究"(项目编号:09YJA751020)阶段成果
