摘要
作者通过对境内及东亚各国、欧美诸国的田野调查,将中华髹饰工艺的衍生发展及其与东亚髹饰工艺的相互交流线索作概括梳理,认为在当今开放的国际语境之下,只有以国际化的高度与视野进行跨民族国家的体系研究,才能够真正理清中国髹饰工艺成长衍变精进乃至倒退失传的脉络,民族风格的强化在于本民族的自信,"独巧不传"则等于抱残守缺。
Based upon the fiehl investigation in China, countries in Eastern Asia, and European countries, I explnre the generation and development of Chinese varnishing decoration technology and its connnunication with that of Eastern Asian countries. In such an open and global context, only in an internatinnai and transnational perspective could we truly clarify the development and regression of Chinese varnishing decoration technology.
出处
《艺术百家》
CSSCI
北大核心
2013年第4期102-111,共10页
Hundred Schools In Arts
基金
国家"211工程"三期"艺术学理论创新与应用研究"项目阶段性成果之一