环境理解与艺术表达——以抗战时期陕西绘画为例

Environment Understanding and Artistic Expression: Taking Shaanxi Painting in Anti-Japanese War Period as the Example

抗战时期的陕西绘画,就绘画类型而言,有中国画、版画和漫画。绘画展览和美术教育活动蓬勃兴起。抗日根据地和国统区形成了明显的区域绘画差异,差异主要表现在:一是画家数量的空间分布,二是区域画家形成的某种带有共性特征的画风,三是这种画风对区域环境的表达。形成区域差异的原因在于,两大区域的创作主体对各自所在区域政治环境、物质环境、地域人群特征予以充分理解,并采取了相应的艺术表达策略。

In anti -Japanese war period, in Shaanxi art circle, there were chinese painting, wood block, ano carica- ture. And painting exhibition and activities of art education sprang up exuberantly. Regional painting differences were formed in anti -Japanese base and the Kuomintang government： spatial distribution of painters, styles of painters group, and their artistic expression towards regional environment. The reasons for regional differences were that artists in these two regions had their own understanding of political, material, and livelihood of that place, and adopted dif- ferent expressive strategies to create.