摘要
德格作为康区的艺术中心,其琍玛佛像与多觉边肯琍玛佛像、扎什伦布寺琍玛佛像齐名。本文通过对德格地区历史及艺术发展脉络的研究,论证八邦寺艺术风格引领了德格艺术发展,是德格艺术的代表;同时,通过对以八邦寺为传承中心的噶玛噶赤画派风格流变的梳理,以及对国家博物馆收藏的八邦寺金铜造像艺术特色的研究,具体而形象地构建了德格琍玛的风格与特色。
Dege is the artistic hub in the Kham region. The Dege li-ma Buddhist sculpture enjoys equal reputation with li-ma sculpture from Vdod-vjovi-dpal-vkhyil and the Tashilhunpo Monastery. After reviewing local history and the evolution of Buddhist art in Dege, the current author argues that Palpung Monastery style had great influence on Dege Buddhist art. The stylistic features of Dege are explored through the studies of the evolution of Karma Kagyu painting school, with the Palpung Monastery as its centre, and the observations of Palpung Monastery gilt bronze Buddhist figures in the National Museum of China.
出处
《中国国家博物馆馆刊》
CSSCI
北大核心
2013年第7期82-92,共11页
Journal of National Museum of China
关键词
德格琍玛
噶玛噶赤画派
司徒·却吉迥乃
八邦寺
Dege li-ma
Karma Kagyru painting school
Si-tu chos-kyi vbyung-gnas
Palpung Monastery