电影《复活》的视觉研究

Vision Research on the Movie Renaissance

电影中的景观是表现城市的一种载体和符号。电影《复活》中,巴黎城的"不自由"与"无奈"之处主要体现在无数只有形无形的眼睛随时随地监视着人们的日常行为活动。人们在充满"色彩"与"诱惑"的巴黎城中,重新估量自身的主体地位,并提出人类的主体性回归的主题。

The spectacle is the carrier and symbol to expresses the cities in movies. In the Renaissance, Paris is ＂not free＂ and ＂helpless＂, it＇ s mainly reflected on the people＇ s daily behaviors and activities which are monitored by countless tangible and intangible eyes anywhere, anytime. Paris is full of ＂color＂ and ＂temptation＂ and people in the city revalue their own position of subjectivity. In addition, the returned human sub- jectivity is proposed as the theme.