摘要
当代中国美学以否定西方经典美学思想为开端,致使美学学科失去自身的知识依据,完全受制于哲学的主客观问题而不能就美本身的问题展开,因而出现"非美化"现象。上世纪八十年代之后",新实践美学"和"后实践美学"在试图消除"实践论美学"偏颇时,又以存在、生命、自由为本体,把美放大成生命的全部,呈现出"泛美化"倾向。当代中国美学只有回到美自身的领域,科学地传承美学固有的经典思想,尊重美的边界及审美事实,才能真正建构起具有民族特色的现代美学体系。
Contemporary Chinese aesthetics began by denial of western classical aesthetics,consequently,the aesthetic subject lost its knowledge basis and was restricted by subjective and objective problems of the philosophy,thus "non-beauty"phenomenon appeared in Chinese contemporary aesthetics.Since the 1980s,"the new practice aesthetics"and "post-practice aesthetics"have taken existence,life,liberty as ontology and amplified beauty to the whole of life in their trying to eliminate bias of "practice aesthetics",thus "generalized-beauty"phenomenon appeared in Chinese contemporary aesthetics.Contemporary Chinese aesthetics can really build up modern aesthetics system with national characteristics only by coming back to beauty itself,inheriting and developing scientifically the classical traditional aesthetics thought,and respecting the boundary of beauty and aesthetic facts.
出处
《武陵学刊》
2013年第4期33-38,共6页
Journal of Wuling
关键词
当代中国美学
“非美”
“泛美”
Contemporary Chinese aesthetics
"non-beauty"
"generalized-beauty"