工业文明背景下民间美术的存在样态与保护——以中国木版年画为例

Status and Protection of the Folk Fine Arts with in the Industrial Civilization Context——Using Chinese Woodblock New Year Prints as a Case

工业文明进程正在威胁着中国的传统文化,深层次民间文化传统的断裂终将导致全民族在工业化生产中对自己"身份"的遗忘。当下的民间美术呈现着濒危化、产业化与自生自发传承等多样化的生存样态。在对其进行保护的过程中,应当既遵循文化自身的规律,不破坏传统文化本质性的精神内核;同时也注重当代生活中人的精神需要,在现有条件的基础上不断保护、重建传统。只有这样,才能使民间美术持续焕发活力,传承民族的文化基因,一如既往地通向全民的精神故土。

It has been a world-wide problem that human spirit-cuhure keeps aliened in the industrial civilization back- ground. Meanwhile, the developing of industrial civilization has been threatening the Chinese traditional culture. The indepth fragmentation of deep cultural tradition will finally lead to the native identity forgetting. At present, Chinese folk fine arts is undoubtedly becoming extinct, suffering from industrialization, and running on its own course unordered. To protect it, on ore hand, we should respect and follow the law of cultural so as not destruct its spiritual core. On the other hand, we should deconstruct and reconstitute traditional culture in consideration of the current spiritual demand of modern peopk. Only in this way, can Chinese folk fine arts remain vibrant and be able to inherit the natonal cultural spirit and thus to prorick a spiritual homeland for people.