程式与新风——17至19世纪藏传佛教绘画风格的演变

Approaches and New Styles——Evolvement of Tibetan Buddhism Drawing Styles from 17th to 19th Century

17至19世纪是藏传佛教绘画的大发展时期,随着格鲁派在全藏区取得政教领袖地位,格鲁派寺院建设热潮空前高涨,大规模的寺院兴建和扩建给藏传佛教绘塑艺术带来了广阔的发展空间,藏传佛教绘画艺术由此进入一个全面繁兴的发展阶段。一时大师辈出,画风迥异,他们在前代画派风格的基础上推陈出新,将藏传佛教绘画演绎到了一个新的发展高度。本文对当时流行的绘画流派及其代表艺术家进行了分析,从而大致梳理出17至19世纪藏传佛教绘画风格的演变轨迹。

The Tibetan Buddhism drawing developed greatly during 17th and 19th century. With the gaining of leading political and religious power position of Gelu faction in the whole Tibetan area, the building for Gelu faction monasteries was zealous which brought great developing space for Tibetan Buddhism drawing, and it was ushered into a completely thriving period, a number of outstanding masters, who had totally different drawing styles from each other, appeared as a result. They created new works on the base of formers and promoted Tibetan Buddhism to a new level . The paper made an analysis about some representative masters and drawing schools of the time to get a brief evolving orbit from 17th to 19th century.