古典阐释之“误读”现象及其文艺功能

Misreading phenomenon in Chinese classical hermeneutics and the Literature and art function

误读,作为20世纪西方文艺批评史上最具有颠覆性的概念之一,也是现代阐释学理论的重要补充成分。误读存在于一切阅读过程当中,在中国古代,误读现象最早出现在对典籍的阐释过程中,继而蔓延到文学领域。面对误读现象,古人提出两个解决策略:一是深观其意,二是诗无达诂。误读并非一无是处,在创造性误读阐释的推动下,古代作家在古典文学、绘画等领域中取得了丰硕成果,误读成为推动文艺向前发展的动力。

Misreading, as one of the most subversive conception in Western history of literary criticism in 20th - century, is the important supplement ingredients in the modern theory of hermeneutics. All reading is misreading. In ancient China, misreading phe- nomenon first appeared in the process of interpretation of classics, and then spread to the field of literature. Ancient people had put two strategies to avoid the misunderstanding： one was the concept of deep meaning, the second was indefinite interpretation of poem. Misreading and the corresponding solution strategy is also there to explain the process of the ancient Chinese classical studies, litera- ture, the creatively driven misreading of literature, painting, had a tremendous impact.