空间情景美学及其图绘探索

EMBODIED AESTHETICS OF SPACE AND ITS MAPPING

建筑学的空间审美和图绘相互影响及作用,审美确立空间的定义及其评价标准,图绘把空间的知识转化为建筑学的语言使其可读。没有前者,图绘仅仅是对空间结果的描述,而不能成为认知与创作空间的有效手段;没有后者则会使对空间的探讨被局限在理论层面,无法在实践层面具体操作。在情景论范式下,空间的审美从二元对立的框架里解放出来。超验空间和物质空间审美被情景空间美学所整合。动觉的、感知的和心理的空间维度重新参与到建筑意义的建构过程中。同时,现代科技在各个领域的发展提供了图绘复杂空间经验的可能性。如同平面、立面、剖面表现的欧基里德空间,新的技术如移动影像,空间句法和虚拟现实允许我们绘制更丰富多态的情景空间。

The aesthetics and mapping of space are interdependent In architecture. Aesthetics establish the definition and evaluation of space, while mapping transfer the knowledge of space to a readable architectural language. Without the former, mapping is only a technical solution for visualizing the resultant space without participating the space comprehension and creation process. While without the support of the latter, the studies of space aesthetics is only the theoretical hypothesis and unable to be pushed forward in architectural practice. Under the embodied paradigm, the aesthetics of space is de-territorialized from the dualistic framework; it integrates the transcendental, physical and experiential forms of space in one embodied formation. The kinaesthetic, sensorial and mental dimensions of spaces re-participate in the constitution and realization of architecture meaning. Meanwhile, the highly developed technology in various fields provides possibilities for mapping the complex spatial experience. As plan, elevation and section are made for measuring Euclidean space; methods such as moving image, Space Syntax and virtual reality allow the mapping of the more interactive, immersive and multiple forms of space.