摘要
追溯《莱昂纳多》的发展,最初源于它的创始人,在出版界有着46年从业经验的弗兰克·J·马利纳头脑中的一个想法。为艺术家创立一本专业期刊的需求引发了《莱昂纳多》在1968年诞生。自此,《莱昂纳多》和莱昂纳多/ISAST(国际高等科学技术协会)就充当了艺术家以及其他对科学、新技术和当代艺术有兴趣的人士之间进行公开交流的媒介。这本期刊倡导并记录了20世纪60年代首批使用电脑的艺术家、20世纪70年代首批使用全息摄影技术和空间技术的艺术家、20世纪80年代首批使用互动媒体的艺术家、20世纪90年代首批使用网络和生物技术的艺术家以及近来首批使用纳米技术、合成生物学、复杂性科学、生态学和环境科学的艺术家。同时,这本期刊充当了艺术与科学以及艺术与技术全球性运动的重要平台。自1982年以来,创始人的长子罗杰·F·马利纳一直担任《莱昂纳多》的执行主编。
The development of the journal Leonardo is traced from its beginnings as an idea in the mind of its founder, Frank Malina, through 46 years of publication. The need for a professional journal for artists sparked its creation in 1968, and the Leonardo journal and the Leonardo/ISAST organization have served since then as a forum of exchange between artists and others interested in connections among the sciences, new technologies and the contemporary arts. The journal championed and documented the work of the irst artists to use computers in the 1960s, holography and space technologies in the 1970s, interactive media in the 1980s, the web and biological technologies in the 1990s, and more recently the nano technologies, synthetic biology, the science of complexity, ecology and the environmental sciences. The journal has served an important platform for the world wide movement in art-and-science and art-and-technology. The executive editor of the Leonardo journal since 1982 has been the founder’s eldest son, Roger F. Malina.
出处
《装饰》
CSSCI
北大核心
2013年第7期52-59,共8页
