摘要
与前期作品相比,贾平凹的《秦腔》显出悲凉与阴沉的格调,文本具有强烈的挽歌意识与反思色彩。《秦腔》从秦腔艺术演出的前后变化、秦腔艺人生存状况的改变、新艺术形式崛起对秦腔的冲击等几个方面写出了秦腔这一古老艺术形式渐趋衰微的趋势。从代表"仁、义、礼、智"等传统文化的夏家兄弟的生活印记及命运归宿写出了作者对传统文化不被重视、文化传承脱节的叹息与悲哀,提出乡村文化建设的必要性与紧迫性。
Compared with the previous works, Jia Pingwa's "Qin opera" shows sadness and gloomy style, and the text has a strong awareness and reflection color. Qin Opera describes the gradually declining of the opera, the ancient art form, from aspects of performance art, change in the artists living situation, the rise of new art form etc. From the story of the brothers of Xia family, Jia Pingwa points out the traditional culture and cultural inheritance are neglected, and that it is urgent to construct the rural culture.
出处
《西安电子科技大学学报(社会科学版)》
CSSCI
2013年第4期98-101,共4页
Journal of Xidian University:Social Science Edition
基金
国家社科基金项目"陕西文学对延安文学的承传与发展研究"(12XZW020)
关键词
贾平凹
秦腔
悲剧
反思
Jia Pingwa
Qin opera
Tragedy
Reflection